Sherman Alexie: Don't Call Me Warrior

America's most famous Indian author on Obama's tribe, Native wannabes, and why Kindles aren't sexy.

For an extended version of this interview, go to motherjones.com/sherman-alexie.

Sherman Alexie's literary ambitions often collide with his unofficial role as America's most famous Indian author. So he suspects that his new short-story collection, War Dances, which features some distinctly unsavory Native American protagonists, might tick off sensitive readers. "I'm going to get grief from certain people about not having likable characters," he says. "As an Indian writer I'm supposed to be showing us in our best light." The 43-year-old has built his career on exploring the complexities and dark comedy of Indian identity. His first short-story collection, The Lone Ranger and Tonto Fistfight in Heaven, drew on his experiences growing up on the Spokane reservation in Washington. His 2007 young-adult novel, The Absolutely True Diary of a Part-Time Indian, tells the story of a shy, nerdy kid who leaves the rez for a suburban high school. Though his books can be heavy, they're also funny. "People think funny is not serious," says Alexie, who occasionally performs stand-up comedy. "Humor deals with our most serious problems."

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Mother Jones: On the campaign trail, Barack Obama was adopted into the Crow Nation and given the name One Who Helps People Throughout the Land. After that show of pandering, has he lived up to his name?

Sherman Alexie: [Laughs.] Well, first of all, these tribes that have given so many names and honorary memberships to people, they're kinda trampy. I think some tribe adopted Norman Schwarzkopf, too. It's the Indian version of getting a Hollywood star. So far Obama's done nothing to be better or worse than any other president when it comes to Indians, which is what I suspected, because we represent no important voting bloc. His name should be One Who Helps Liberals and Moderates Throughout the Land.

MJ: A lot of people want to claim Indian identity. Have you followed the case of Ward Churchill, the former University of Colorado professor who claims Indian ancestry and was fired after making inflammatory remarks about 9/11?

SA: The tribes he claims he belongs to don't even claim him. Let's put it this way: You guys are all way behind in terms of what you know about his identity and his politics. Indians have been having those discussions since the beginning. His words got him in trouble, but he had lost plenty of Indian credibility before he lost white people's credibility.

MJ: It seems like Indians were more present in the political and cultural mainstream when you were growing up in the '70s than they are today.

SA: It was one of those eras where there were some incredibly charismatic Indian leaders. And I think those same kinds of charismatic people do other things now. They act, write, paint. The fight of the '60s and '70s was for the right to be human. And now we are being human.

MJ: That's a victory.

SA: It's gigantic. But in some sense it's why we're not visible in the mainstream. We're not dangerous. Instead of guns we carry poker chips.

MJ: You recently got attacked for calling the Amazon Kindle elitist.

SA: I got hundreds of emails insulting me, accusing me of being some caveman. I am by no means a Luddite. I have two iPods. I have a cell phone. I have cable TV, HDTV! If I had been talking about drowning polar bears, people would have been weeping with me. But nobody recognizes that a bookstore or library can also be a drowning polar bear. And right now in this country, magazines, newspapers, and bookstores are drowning polar bears. And if people can't see that or don't want to talk about it, I don't understand them at all.

MJ: The Absolutely True Diary of a Part-Time Indian was banned in some school districts. How did that feel?

SA: It means I did something right. The book has never been banned or challenged in a poor community, because the crap they're dealing with makes the stuff in my book look like nothing. I just know there are kids who need books like this.

MJ: Your depiction of life on Indian reservations is that it's very much apart from life off the rez. Has the Internet changed that?

SA: Every Indian kid has access to MySpace and Facebook now. But that doesn't mean they have access to books and great teachers. This idea about bringing digital tech into schools is great, but once again I'll say that this is not how people actually learn. We learn with our hands. You can pump millions of dollars into a school, and nothing will change. Throwing a computer at a kid does nothing to help him.

MJ: You once told sex advice columnist Dan Savage that there is a dearth of Native American porn.

SA: We're a very sexually oriented people, culturally speaking—our stories, our songs, the way we talk—it's all very sensual and sexual. But when it comes to the body, there is some repression involved there. Or modesty at least. There are a few porn actresses who claim Indian identity...

MJ: The Ward Churchills of the porn world?

SA: [Laughs.] Oh man, that's good. I'm stealing that.

MJ: There's a line that I liked in your poem "War Stories": "I think that violent men will always find logical and rational and emotional and compelling ways to justify their violence." Your characters in War Dances do just that.

SA: There's this whole notion of being an Indian—the idea that "warrior" is a positive description of us. When an Indian guy does well, he's a warrior, even now. He could be a computer salesman, but if he does well, he's a warrior. I'm not a pacifist by any measure, but I'm also fully aware that the reasons I might go to war could be very dubious.

MJ: You've said that when you were younger you saw yourself as oppressed. Do you think you've gotten less angry, or just found a way to express your anger through humor?

SA: I think my anger now, rather than being focused on my Indian identity, is directed toward most of the planet. I recognize now that the conditions that Indians are living in are the conditions that poor people everywhere are living in. I'm still furious. It's just that I'm older, and to carry around anger like that kills you.

For an extended version of this interview, go to motherjones.com/sherman-alexie.

Kiera Butler is an associate editor at Mother Jones. For more of her stories, click here.

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Comments

ummm...

what about vine deloria sr. and jr.?

Reply

Alexie is good (and a really nice guy) but he is a pop-author. He is what's hot, so people claim that he is the best known author. Like most things, people don't know the history...

War dances-ugh!

Sherman Alexie suspects some of his readers may be ticked off by his latest work?

I know at least one sensitive reader that's ticked off. And not because some of the characters are unsavory and Native American. Can anyone imagine that at this stage of the game, long-time readers of Mr. Alexie's work would expect his characters to be examples of model citizens or even appropriate representatives of his 'people' (whatever that means)? Please!

But this reader does expect characters with heart. His other books, even the problematic _Flight_, managed to deliver stories all with heart. War Dances contains several stories that miss the mark entirely--ugly stories (breaking & entering, the senators son, ballad of paul nonetheless, to name a few). The stories were ugly not just because they were too thinly written in some instances, but worse, because many of the stories lack complexity and compassion. If a radio interview he gave recently was somewhat honest, then War Dances was his attempt to stretch a bit outside himself--inhabit a slightly different persona. Unfortunately, in some of the stories, the results are one-dimensional characters stagnant on the page maybe because the self-righteous, arrogant, judgmental consciousness of an intrusive author, enamored with his own cleverness, was unable to let go of his own lens long enough to create fully fleshed characters. War Dances is an ugly book even if it, in a few places, did invoke tears and laughter (sometimes within seconds of each other, like in reading the title story War Dances--clever bastard). His work, often funny, thought provoking and insightful, in War Dances takes a turn to the callow, shallow and cruel. Heart breaking--but then the meta-character 'Sherman Alexie' is a trickster.

Yeah--it hit this reader's every last nerve and she would throw rotten tomatoes if she could.

Warriors

Native people have been fighting for their rights as human beings forever. It is a fight that never ends for any of it. Freedom, liberty---what that really means---must be fought for, and right now, in America, we are losing that fight. Those who grew up on the Reservations KNOW what it is to be poor, to be stigmatized, to be secondclass citizens in every way imaginable. They have seen first-hand how the welfare state denigrates and enslaves those who receive its "benefits" and enslaves those who provide those "benefits". Read Star Parker's book, Uncle Sam's Plantation, and you will get a black person's take on the same basic story. Liberals like Barack Obama enslave people both coming and going. They keep the "reservation system" alive and growing, while at the same time destroying jobs and stealing our money with ever-increasing taxes once we get a decent job. At the rate he is going, there will be only one employer---the federal government---and we will all either work for it or be dependent on it. Those who have suffered the most from this system of things should be the first to stand up and denounce it and seek to end it.

Native American Bigotry

Perhaps the most shameful recent chapter in Native American history was when the Cherokee Nation voted to block African-Americans from claiming Cherokee heritage. I began to ask myself if Native Americans are viable allies for African-Americans: I concluded "No, too many are wannabe (whites)."

then you have to ask yourself...

why is that? is it good enough to just settle with 'they're wannabe whites'? you could ask the same of African Americans. John McWhorter, Michael Steele, Colin Powell, Condoleeza Rice, etc., anyone? Add to that, the fact that none of either of these groups express monolithic points of view, your idea is shot through. And one instance is really anecdotal at best.

The point is that incentives and punishments have been offered in 'integrating' US society. People choose what they have learned as leading to the best possible outcome for themselves.

Both American culture and

Both American culture and Indian cultures fetishize the idea of warriors. Some cultures lionize their intellectuals, lovers, or gentlemen...but not ours.

r4i

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