The Riff

Deodorant and Desire

| Tue Feb. 9, 2010 5:16 PM PST

The commercials during this year's Super Bowl were mostly dull and forgettable (and the pro-life ad from Focus on the Family, which we blogged about, turned out to be mild, ambiguous, and even kind of funny). Many of them were passingly creative attempts to capitalize on some pop cultural flavor of the moment like Auto-Tune. Rest assured, however, some ad agencies are still making advertisements that raise the quick sell to a form of compelling, self-aware folk art.

Yes! I'm using a lot of descriptive words, and I’m using them to write about "The Man Your Man Could Smell Like," a new ad from Old Spice with which I’ve become obsessed. The ad is a fast-talking, absurdist shell game ("Look at your man. Now back to me. Now back at your man. Now back to me." "Look down—back up. Where are you?" "What’s in your hand? Back at me." "Look again!"). It parodies the huckster's art of distracting and disorienting the mark, and takes place in a psychological landscape where objects of desire (ripped, shirtless hunks, tickets to "that thing you like," diamonds) and settings (bathrooms, boats, beaches) have no permanence—fundamentally changeable elements in the illusory universe of want. Also, the guy in it is really hot. Just watch:  

 

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Lil Warlord: Torturous Rap

| Mon Feb. 8, 2010 11:33 AM PST

It's been a rough 13 months for Charles Taylor Jr. In January 2008, a federal judge in Miami sentenced "Chuckie," the Boston-born son of former Liberian warlord Charles Taylor, to 97 years in prison for his role as an enforcer during his father's reign of terror in the 1990s and early 2000s. (It was the first-ever conviction under the federal government’s anti-torture statute.) This past Friday, another judge ordered Chuckie to pay five of his victims a total of $22 million in damages; the victims testified that they had been tormented with electric shocks to their genitalia, raped at gunpoint, and scalded with molten plastic, to name a few of the alleged atrocities. And with Junior's father on trial in The Hague for war crimes, things aren't looking so good for the family.

But Chuckie may envision a silver lining: He's now free to work full time on his rap career. As Rolling Stone reported in a 2008 profile, "After he fled the collapse of his father's dictatorship in Liberia, Taylor recorded approximately 20 tracks at a studio called Eclipse Audio in Trinidad." He sent the magazine one of those tracks, "Angel," which you can listen to here (halfway down).

It's more than a little awkward listening to a love song performed by a thug who makes Cam'ron look downright angelic. But if it's any consolation, Taylor is no N.W.A. You can look for "Angel" and other Taylor tracks in the bargain bin, if they make it that far.

Ebony Bones, Freak-Soul Sensation

| Mon Feb. 8, 2010 4:02 AM PST

UK freak-soul wunderkind Ebony Bones is a woman possessed. Last Thursday I caught her intergalactic spectacle at San Francisco’s Popscene where it immediately wrangled me into its dance-inducing Funkadelic voodoo spell à la George Clinton. The wide-eyed songstress pushed onstage looking like a multicolored cartoon superheroine in her leopard-print space suit, purple and pink prosthetic lashes, hot pink tights, green boots, and large golden fro.

Bones’ hour-plus set presented a psychedelic, psychic exorcism of electro-buzz, tribal beats, African punk, and FUN! Backed by two dolled-up singers prone to uncontrolled convulsions, she performed her hits “W.A.R.R.I.O.R.” and “We Know All About U,” along with a crowd-rousing cover of Pink Floyd’s “Another Brick in The Wall (Part 2).” At one point, unable to find her signature cowbell, Bones exclaimed, "Where the fuck is it?" before erupting into hypnotic, torso-pumping gyrations. Flanked by her backup musicians, she even busted out a little voguing number, which you should witness here.

Angelo Spencer Channels Kurtz

| Mon Feb. 8, 2010 3:30 AM PST

Angelo Spencer et Les Hauts Sommets
s/t
K Records

What do you get when you cross Miles Davis, Clint Eastwood's American West, and the festering wildness of Lord of the Flies? Answer: Angelo Spencer et Les Haut Sommets (translation: the high summits). Spencer, in fact, grew up in the French Alps watching spaghetti westerns—he now lives in Olympia, Washington, the rainy hometown of Olympia beer and K Records.

Out this week, his debut will probably be deemed indie, experimental, and alt-rock. But more than anything it is a cinematic, instrumental trip through the deepest jungle—full of cerebral harbingers of something along the lines of Joseph Conrad's Mr. Kurtz. While the 10-track album doesn't impart sadness, it delivers a dark tale without benefit of human voices. Les Hauts Sommets' music presupposes imagery, and what follows are some of the images I took away from the album, although I'm sure there are many others.

Film: What's the Matter With Kansas?

| Fri Feb. 5, 2010 4:00 AM PST

In his 2004 book, What's the Matter With Kansas?, Thomas Frank probed the psyches of Midwestern "values voters" to explain why blue-collar Americans abandoned economic self-interest to vote for George W. Bush. This eponymous documentary begins as a retelling of Frank's book but ends as a timely exploration of how an obsession with a narrow moral agenda can be self-defeating.

Much of the film revolves around the Dillards and the Bardens, likable families who belong to the congregation of Terry Fox, a Baptist preacher who's been ousted from his church for his right-wing politics. The families follow him to a new house of worship in a gaudy auditorium in Wichita's Wild West World theme park. Fox convinces them to pour their savings into the park, which goes bankrupt under a cloud of suspicion. Still, this betrayal doesn't cause the Dillards and Bardens to question Fox or his beliefs.

There are fleeting hints of a shifting political climate. Hard times during the Bush years convince "redneck" farmer Donn Teske to forsake the GOP, declare himself a "populist without a party," and even praise the New Deal. Yet the film ends with a home-schooled Fox follower declaring that the framers believed "that our country needed to be founded on Christian principles" and a mention of the murder of Wichita abortion provider Dr. George Tiller. We're left to draw our own conclusions about what the next chapter of this story may be, but in the age of Tea Party populism and a reenergized conservative base, it's hard to see Kansas making an about-face.

Celebrate National Advertising Day on Sunday

| Thu Feb. 4, 2010 12:48 PM PST

It's right and proper that the ad has its own high holy day which, as Robert Lipsyte points out, we call the Super Bowl. After all, the ad has so much to celebrate. It's been the great colonizing force of our age. When I was younger, for a period, I subscribed to the trade magazine Advertising Age, not because I had anything to do with the business, but because I was fascinated by the fact that, no matter how obscure the subject, the ad had an interest in (and a perspective on) it.

In a sense, in this century, the ad has inherited the restlessness once associated with the American pioneering spirit. The Marlboro Man, it turns out, was more than a logo. The ad can't stay still. It's always searching for, and moving into, new territory, and then trying to settle down, often initially alone and under attack. It is expansionist by nature, never taking no for an answer. By my childhood, the ad had already redefined most common space as consumer space. In my lifetime, the ad has broken almost every taboo, and into just about every previously sacred (or profane or private) space. It's made it into the bedroom, first via the radio and then, far more strikingly, the TV set; into the school, the doctor's office, and the airport; onto the sides of buses, into and onto taxis, into elevators, onto gas pumps, and above urinals, as well as into your pocket, thanks to the iPhone and the like. You name it, and the ad's invaded its territory. One of the last largely ad-free bastions in the culture, the book, is about to fall to next generation Kindles, iPads, and other "readers" which will, like the rest of the Internet, be ad-friendly.

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Books: The Immortal Life of Henrietta Lacks

| Thu Feb. 4, 2010 4:00 AM PST

When Henrietta Lacks—a poor, African American tobacco farmer from Virginia—checked into Johns Hopkins Hospital with cervical cancer in 1951, she had no idea that tissue removed from her body without her consent would become one of the most important resources in medical history. She died soon afterward, but her cells, dubbed HeLa, astonished scientists with their still-mysterious "immortality"—they were the first ones to survive indefinitely in the lab, and reproduced at an unprecedented rate. HeLa provided the raw material necessary to develop the polio vaccine and many other medical breakthroughs. In this gripping, vibrant book, Rebecca Skloot looks beyond the scientific marvels to explore the ethical issues behind a discovery that may have saved your life.

Skloot pinpoints HeLa as the origin of many ethical debates that still define modern science, tissue research, and the ownership of the body. Since learning about HeLa in 1973, Lacks' husband and children have felt betrayed by what they see as a medical establishment that secretly experimented on and exploited black patients. Some of Lacks' relatives wonder why they shouldn't get a cut from what is still one of the world's most popular—and profitable—cell lines: All the HeLa cells ever made would weigh 22 tons; a single vial can sell for nearly $10,000.

Skloot spends nearly 10 years earning the trust of Lacks' daughter Deborah, who's also obsessed with learning more about her mother. She still runs up against the Lackses' understandable suspicion, such as when Deborah slams her up against a wall and asks if she's really working for Johns Hopkins—but Skloot persists, intent on paying homage to the flesh-and-blood woman behind HeLa.

MoJo Staffers Get LOST: A Weekly Chat

| Wed Feb. 3, 2010 12:13 PM PST

Last night, LOST kicked off its final season with a bang. Below, five Mother Jones staffers chat about Sayid's resurrection, Hugo's leadership abilities, Kate's line-jumping, and what they hope the show's enigmatic creators have in store for viewers.

Ben Buchwalter, Editorial Fellow: I'm in the chat room, reporting from 1974.
Nikki Gloudeman, New Media Fellow: Nice gchat entrance, Ben.
Jen Phillips, Assistant Editor: So what did you guys think? Did the first episode answer questions, or just frustrate you?
Nikki: I think they wanted to let fans know that they are going to give answers, by doing things like answering the smoke monster question right off the bat.
Ben: Yeah, this is a much better role for the actor formerly known as Locke.
Jen: I couldn't take any more of Locke feeling sorry for himself. Terry O’Quinn makes an excellent badass. And he's still got his knife!

Nikki: Favorite scene of the show? Mine was Jack and Locke rehashing their philosophical debate in the airport waiting room.
Ben: Hugo taking control and being a prophet.
Jen: Kate trying to steal a cab from Frogurt.

Jen: What do you think about Aaron? If he's raised by someone else, will it mess things up? The psychic said Claire had to raise Aaron.
Nikki: Yes, he couldn’t be raised by "another" (or "an other"?) but why?!
Samantha Schaberg, Administrative Assistant: Isn't Aaron the only child to be born on the island?
Nikki: What’s up with Aaron? Is he infant Jacob? He kinda looks like it. That’s my ridiculous theory of the chat!
 

The 6 Weirdest Things Women Do to Their Vaginas

| Tue Feb. 2, 2010 10:24 AM PST

This post first appeared at Alternet.

What's wrong with your vagina? If you answered "nothing," you're probably wrong. According to the beauty-industrial complex, it's ugly, and it smells bad. But don't worry—there's nothing that money can't fix.

1. Problem: Your Vagina Smells Bad

Solution: Vaginal Deodorant

In the seventies, Massengill tried to marry feminism and its vaginal deodorant spray ("With Hexachlorophene") in an ad that declared the product to be "The Freedom Spray." It was "...the better way to be free to enjoy being a woman. Free from worry about external vaginal odor." Because you're going to need that time you used to spend worrying about your vaginal odor to flirt your way through the glass ceiling. Oh, and Hexachlorophene? It's a disinfectant that can be lethal when absorbed through the skin. In 1972, it was added to baby powder in France due to a manufacturing error and killed thirty-six children.

In case you think vaginal deodorant is a relic of the past, just take a trip to the drug store. (I did, and I took notes. The staff of my local Walgreens is convinced that I'm both very thorough and that my vagina smells really bad.) There are several kinds of vaginal deodorants still for sale (Walgreens even manufactures a generic version). You can buy scented vaginal suppositories called Norforms in Island Escape and Summer's Eve Deodorant Spray in Island Splash. (Norforms contain something called Benzethonium chloride, which is also used as a hard surface disinfectant for fruit and classified as a poison in Switzerland. Exotic!) And you can buy FDS (Feminine, Discreet, Sensual) Spray ("For the woman who cares.") in a myriad of scents including Sheer Tropics and Fresh Island Breeze.

Because if you really cared, you'd make your vagina smell like a poisonous island.

Oscar Docs: The Cove, Food, Inc., and Burma VJ

| Tue Feb. 2, 2010 9:35 AM PST

Academy award nominations are out, and three films reviewed in Mother Jones last year are up for awards in the Best Documentary category:

  • The Cove, about the hidden dolphin slaughter in a Japanese town. (Read my interview with the filmmakers here.)
  • Food, Inc., about the horrors of factory farms, slaughterhouses, and meat plants.
  • Burma VJ, about citizen journalists who risk their lives to document government brutality in Burma.

More Mother Jones film coverage here.

 

Photo Essays

The chaos and humanity of war.
The craftspeople and musicians of Appalachia.
A selection of '70s ads depicting African-Americans.
As climate change melts the permafrost, native villages slip into the sea, taking a way of life with them.