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The authors we spoke to were modest enough not to recommend their own works. We decided to do it for them.

    Robert Bly

  • American Poetry: Wildness and Domesticity (HarperCollins: 1990)
  • Iron John (Vintage: 1992)
    Sissela Bok

  • Secrets (Vintage: 1990)
  • Lying (Vintage: 1990)
    Sandra Cisneros

  • The House on Mango Street (Knopf: 1994)
    Stephen Greenblatt

  • Marvelous Possessions (University of Chicago: 1991)
  • Learning to Curse (Routledge Kegan Paul: 1992)
    Christopher Hitchens

  • Blood, Class, and Nostalgia (Farrar, Straus & Giroux: 1990)
    Maxine Hong Kingston

  • The Woman Warrior (Knopf: 1976)
  • China Men (Knopf: 1980)
  • Tripmaster Monkey (Vintage: 1990)
    Sam Keen

  • Fire in the Belly (Bantam: 1992)
  • Hymns to an Unknown God (Bantam: 1994)
    Herbert Kohl

  • I Won’t Learn From You (New Press: 1994)
    Ursula K. Le Guin

  • The Left Hand of Darkness (Walker: 1994; orig. date 1969)
  • A Fisherman of the Inland Sea (HarperPrism: 1994)
    Gus Lee

  • China Boy (Penguin: 1991)
  • Honor and Duty (Knopf: 1994)
    Grace Paley

  • Later the Same Day (Penguin: 1986)
  • The Collected Stories (Farrar, Straus & Giroux: 1994)
    Katha Pollitt

  • Reasonable Creatures (Knopf: 1994)
    Richard Russo

  • The Risk Pool (Vintage: 1994)
  • Nobody’s Fool (Vintage: 1994)
    Art Spiegelman

  • Maus I (Pantheon: 1986)
  • Maus II (Pantheon: 1991)
  • The Wild Party (Pantheon: 1994)
    Brent Staples

  • Parallel Time (Pantheon: 1994)
    Gloria Steinem

  • Outrageous Acts and Everyday Rebellions (Signet: 1986)
  • Revolution From Within (Little, Brown: 1992)
  • Moving Beyond Words (Simon & Schuster: 1994)
    Tobias Wolff

  • This Boy’s Life (HarperPerenial: 1992)
  • In Pharaoh’s Army (Knopf: 1994)

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OUR DEADLINE MATH PROBLEM

It’s risky, but also unavoidable: A full one-third of the dollars that we need to pay for the journalism you rely on has to get raised in December. A good December means our newsroom is fully staffed, well-resourced, and on the beat. A bad one portends budget trouble and hard choices.

The December 31 deadline is drawing nearer, and if we’re going to have any chance of making our goal, we need those of you who’ve never pitched in before to join the ranks of MoJo donors.

We simply can’t afford to come up short. There is no cushion in our razor-thin budget—no backup, no alternative sources of revenue to balance our books. Corporations and powerful people with deep pockets will never sustain the fierce journalism we do. That’s why we need you to show up for us right now.

payment methods

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