Cate Blanchett Just Led a Powerful Silent Protest for Gender Equity on the Cannes Red Carpet

“Women are not a minority in the world, yet the current state of our industry says otherwise.”

Joel C Ryan/Invision/AP

Fight disinformation: Sign up for the free Mother Jones Daily newsletter and follow the news that matters.

At the Cannes Film Festival on Saturday, actress Cate Blanchett and 81 other women in film marched in silence on the red carpet to call out the lack of female directors selected for the world’s top festival.

The women stopped halfway up the steps to the Palais des Festivals, and Blanchett, in a statement read alongside documentary filmmaker Agnes Varda, demanded equal pay and safer working conditions for women. Blanchett, serving as Cannes’ jury president, called for a world “that allows all of us in front and behind the camera, all of us, to thrive shoulder to shoulder with our male colleagues.”

Blanchett, who was joined by Ava DuVernay, Salma Hayek, and Kristen Stewart, said that the 82 women protesting represented the 82 female directors whose films had been selected for the festival since it began in 1942—a stark contrast to the 1,688 male directors that she said had climbed those steps before. This year, just three of the festival’s 21 films were directed by women. Just one woman, Jane Campion, has won the festival’s top prize, for the 1993 film The Piano. The red carpet protest was organized by the collective 5050×2020, which works to address gender inequality in the film industry. 

“Women are not a minority in the world, yet the current state of our industry says otherwise,” Blanchett said. “As women, we all face our own unique challenges, but we stand together on these steps today as a symbol of our determination and our commitment to progress. We are writers, we are producers, we are directors, actresses, cinematographers, talent agents, editors, distributors, sales agents, and all of us are involved in the cinematic arts. And we stand today in solidarity with women of all industries.”

You can watch her speech below. 

OUR DEADLINE MATH PROBLEM

It’s risky, but also unavoidable: A full one-third of the dollars that we need to pay for the journalism you rely on has to get raised in December. A good December means our newsroom is fully staffed, well-resourced, and on the beat. A bad one portends budget trouble and hard choices.

The December 31 deadline is drawing nearer, and if we’re going to have any chance of making our goal, we need those of you who’ve never pitched in before to join the ranks of MoJo donors.

We simply can’t afford to come up short. There is no cushion in our razor-thin budget—no backup, no alternative sources of revenue to balance our books. Corporations and powerful people with deep pockets will never sustain the fierce journalism we do. That’s why we need you to show up for us right now.

payment methods

OUR DEADLINE MATH PROBLEM

It’s risky, but also unavoidable: A full one-third of the dollars that we need to pay for the journalism you rely on has to get raised in December. A good December means our newsroom is fully staffed, well-resourced, and on the beat. A bad one portends budget trouble and hard choices.

The December 31 deadline is drawing nearer, and if we’re going to have any chance of making our goal, we need those of you who’ve never pitched in before to join the ranks of MoJo donors.

We simply can’t afford to come up short. There is no cushion in our razor-thin budget—no backup, no alternative sources of revenue to balance our books. Corporations and powerful people with deep pockets will never sustain the fierce journalism we do. That’s why we need you to show up for us right now.

payment methods

We Recommend

Latest

Sign up for our free newsletter

Subscribe to the Mother Jones Daily to have our top stories delivered directly to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate